It’s no secret I’m a huge fan of Atlas Shrugged and the author Ayn Rand. So when I was asked to shoot the Behind The Scenes photos for the 3rd Atlas Shrugged movie, I don’t think I let Scott DeSapio (the Associate Producer) finish his sentence before I jumped all over this. It’s not just that I’m a fan, but the idea of having real production value and professional actors to capture was so exciting. I’ve been extremely prolific, and I’ve moved very fast, but I’m still relatively new to photography. When I picked up a Sony NEX-3 four years ago, I first treated it more like a much better quality point and shoot. My friends know I went quite OCD with it, but I had NO IDEA a few years later I would be asked to shoot all these events around the country, and now BTS photos for a movie that will come to theaters and bring my photos to a much bigger audience… wow. Behind The Scenes photos are usually boring, so I was determined to create art pieces at the best of my ability. I had earlier gained some notoriety for my event and conference photos. There’s now probably around 10,000 Facebook profile photos of mine floating out there, being used by people for all sorts of purposes, from Match.com to Speaker Bios to Wikipedia to Book Jackets. And now the Associate Producer is telling me “I want Judd Weiss photos. Can you deliver us Judd Weiss photos?”. Hell the fuck yeah! The pressure was on. Fortunately production was starting the following week in LA, so I didn’t have to wait too long to jump in.
Thank god Sony just released their earth shattering full frame mirrorless A7 right before filming started in January. I had been shooting on smaller sensor APS-C NEX cameras before, and I was eagerly awaiting the arrival of the full frame mirrorless, following any shred of rumor and news story for the previous 2 years. I knew I needed to move to a full frame setup in order to take my photos to the next level, and the A7 did not disappoint! I had never shot photos of this quality before, and my love for the camera rose along with excitement from the production team for the quality of photos I was delivering them. I was determined to push past my limits, and over deliver, but I didn’t expect to rise to this level. In January I still had plenty of room to grow, but these photos were a massive leap of a milestone for me. I’m so grateful for that opportunity.
The movie comes out in theaters tomorrow. Some of my photos were used in the film itself, not just in the marketing. For me this whole thing has been a real honor. I hope you enjoy some of these :)
I haven’t updated this blog in a very long time. But that definitely doesn’t mean nothing has been going on with me. I’ve had so much I wanted to write about, but photography happened, and it’s overwhelming the time I would have spent writing. Check out my albums on Facebook to see what’s been going on there. I’m proud of my prolific work, but……
This is it. This is the best work I’ve ever done. These Ephemerisle photos are my favorite album.
And now I’m a little afraid. I almost feel like giving up on photography. I’m not sure if I can continue to put out stuff at this level. I don’t want my future photos judged against this. I don’t know if I’ll match this again.
Everyone’s recent enthusiasm about my photos mirrors my own. I am just as excited when I see beautiful photos come from my camera. I continually feel like I can’t believe this is mine. But these Ephemerisle photos… I have never seen such beautiful photos come out of my camera. I’m almost in disbelief that these bear my name. Some of these photos are a little abstract, but believe me when I tell you those are very true to the experience. I almost feel like maybe I need to make some sort of art installation project out of this. Or an Ephemerisle coffee table book. Or something. In any case, you get the idea of how meaningful these photos are to me.
Most of that has to do with how unbelievably incredible Ephemerisle was. What a visual experience! It was challenging to truly capture the entirety of that surreal reality; but you can be sure I did the best I could to run around and convey what it was like to be there, overstimulated by this new beautiful foreign universe everywhere you looked.
I swear to god, the biggest reason I haven’t been to Ephemerisle in the past is because I thought “Eh, I’m not sure it’s worth all the effort to spend a few days trapped with a bunch of nerds on boats.” Verbatim. That is exactly what I thought. Reality will alter wrong pre-conceived notions.
I think Ephemerisle was the most exciting and fun time I have had, that didn’t involve a girl, since maybe my college days. Better even than that. Ephemerisle was one of my favorite experiences. I loved running around in that crazy dream world meeting the cast of characters you’ll see in the album below.
I’m not saying Ephemerisle is better than Burning Man. There’s no way an event of a couple hundred people can in any way rival the scope and all the amazingness of the 50,000+ strong Burning Man festival. But I will say that I enjoyed Ephemerisle more. I loved Burning Man, but the desert is a harsh place. No doubt the sea can be unforgiving as well, but I was very happy to trade an over abundance of dust for an over abundance of water.
Burning Man is incredible as it lights up the middle of the desert nowhere into an epic glorious city; being out in the middle of the water nowhere, lit up only by the most amazing glowy party you’ve ever seen, Ephemerisle too is a bright beacon of a testament to our evolutionary progress, while floating over the type of early ocean microbes of life that began it all. How far we’ve come, to create such a stunning atmosphere. A cool blend of excitement and serenity. Like Burning Man, being at Ephemerisle confronts you to face both our fragility and our promise that can only be truly seen in an intentional community that has left many of the comfortable constraints of modern society.
Stylistically people often compare Ephemerisle with Water World, and you can see where that’s coming from, only this wasn’t dystopian. Whatever was rough around the edges wasn’t post-apocalyptic, it was prototype. This is from the future, clearly. These are experiences our grandchildren will inherit when they are our age. But it’s a beautiful future. When the sun goes down, we light up even brighter. Humans evolved from a state of continual starvation in a struggle to survive among brutal nature, and now we master the harshest environments to throw parties of abundance like this for recreation. Humans have no shortage of serious problems, but it’s things like Ephemerisle that compel me to acknowledge our bright future of possibilities ahead.
You might think I’m hyperbolizing a little much. And if I hadn’t been there, that’s totally what I would think while reading this. But there’s a reason for these reflections of anthropological grandeur. Ephemerisle is comprised of exactly the group of intellectuals, business leaders, and artists who are focused daily on the topic of our evolutionary potential as a species. These ARE the people consciously working to design a more beautiful future for all of us. What a treat it is to see one of their early prototypes. And I have to say, I’m in love with this particular prototype they call Ephemerisle.
I’ve got to thank Simone Syed, Scott Norman, Patri Friedman, and Paul Grasshoff for persuading me to come out to this. But most of all, it was Randolph Henken (President of The Seasteading Institute) who put his foot down and insisted I come out to this. Thank you buddy, so much, if you didn’t push past my hesitation, the world would not have these photos of Ephemerisle. And thank you to everyone involved for coming together to create Ephemerisle. You made these photos. I just captured what I saw as well as I could. Your vision created this reality. Congratulations to all of your beautiful minds. These photos are my humble tribute.
Ok guys, get ready to watch the colors move…………
For the photography buffs out there, I shot this entire set of photos with the new amazing Sony Alpha A7S full frame mirrorless camera, with a manual Voigtlander Nokton 35mm f/1.2 lens. That combo allowed me to achieve low light shots never before possible in the history of photography. The Sony A7S was the perfect camera to capture the experience of the dark glowy night that made Ephemerisle shine. Your iPhone would have recorded black smudges. Even the widely acclaimed Canon 5D MIII could not have achieved many of these shots.
For example: The below shot, while not the cleanest shot in history, was shot at 51,200 ISO (!!) at 1/125 second, handheld from a bobbing moving boat in the dark. It was challenging to stand, and hard to see clearly, let alone to take a clean photo. Try to get anything remotely usable in those conditions with another camera setup.
Again, the below shot is not perfectly clean and crisp, but it was shot at 32,000 ISO from a moving bobbing boat.
I love how the camera rendered the daytime shots as well. Enjoy the rest of the album below.
(ps. if you’re interested in getting this revolutionary camera, if you purchase it through this link for the Sony Alpha A7S, I will get a small affiliate commission from Amazon, and at no cost to you. Thank you for helping to support this site!)
Here’s another nude set I shot with Monique. You’ll quickly notice that I went a little bit further with these than the “Shadows” set with her. Well, I’ve got to get comfortable with my foray into shooting nudes. Slowly ;)
These were shot last October, right after our night at the Playboy Mansion Halloween Party. Monique’s outfit was a Diamond in The Rough, which makes an appearance in some of these. Monique and I love this set of photos, and both feel like they should be shared.
I love that “Shadows” set with her, but this “Light” set are some of my favorite photos I’ve ever shot (and I’ve got quite a lot of photos out there now). Both sets are good counterpoints to each other.
Shooting in bright light instead of the dark makes shooting nudes, well a lot more nude. I intentionally let the grain remain for the edge I wanted, and to differentiate these shots from shooting porn (which I have no interest in ever shooting). No disrespect to porn, but I’m trying to do something a little more thoughtful and compelling. A major difference is that most porn embraces the social stigma that nudity and sex is dirty, taking that baton and running with it into far raunchier territory. I’d just rather ignore that stigma entirely and focus on capturing the most beautiful and most captivating photos I can. I’m growing with my photography hobby. Though it seems it’s now clashing with my experience in dealing with difficult aspects of our culture.
I’ve experienced some awful behavior from a world so consumed with insanely twisted thoughts regarding the sin of sex. This isn’t the moment for an articulate argument about it. These pictures are my protest. If you could look at something beautiful and publicly denounce it as dirty, does that make you a better person? Does disavowing that which is attractive and hot demonstrate your virtue? Then you can go ahead, give it a try…
So, homosexuals are disgusting perverts who are trying to destroy the sanctity of marriage, of our society, and of our children’s minds. I get it. Gay sex is unnatural, disturbing, and we must stop this cancer of repulsive behavior from spreading. Just one thing…
We’re faced with a LARGER more troubling epidemic that also needs our attention. It’s something more unnatural, more vile, and more repugnant than even homosexual filth.
I’m talking about fat people having sex with each other.
Fat people fucking doesn’t just defy the laws of decency and morality, it also defies the laws of physics. I don’t know how it works, to be honest, I’m sure I could find fatty porn online to demonstrate it, but I don’t need to see that to know clearly beyond any doubt:
THIS WAS NEVER IN GOD’S IMAGE FOR US
Whether it’s two fatties going at it, a hot chick getting fucked by a fat dude, or a skinny dude fucking a fat chick, all fat sexual encounters must not be tolerated. This is where the role of government needs to come in to protect us.
Think about the children. Clearly people who would engage in this sort of smut certainly should be nowhere near kids, let alone raising them, acting as ROLE MODELS. I’m not talking about spreading problems like diabetes, heart disease, shortness of breath, and losing personal belongings between the folds of their skin. I’m talking about the indecency of fat sex!
Despite the difficulties presented by modern physics, fat people are still reproducing, at an alarming rate that has outpaced the rest of us! THEY ARE NOW FULLY 2/3 OF THE AMERICAN POPULATION! And they are raising hordes of fat children that will one day have fat people sex and reproduce more fat children until there’s nothing holy and sacred left in society.
How will the fabric of our society sustain so much weight?
Marriage is sacred. We need to protect it. This now needs to be a police matter.
We need to make a tough decision as a society. Do we Continue Reading >>
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I’m actually enjoying the rise of dubstep over the last couple years. I’m glad all our favorite drum and bass acts are now dubstep. There’s definitely some cool stuff coming out. But much like any other popular music trend ever, much of the scene is quickly growing stale. In my opinion, some of the best music in the dubstep scene aren’t the purists, but the artists willing to incorporates styles outside of dubstep and keeps pushing music further. At the top of my list is Nero and their debut album Welcome Reality.
This. Is. A. Fucking. Classic!
Nero is no secret. They’re widely acclaimed and loved. I’m just throwing my voice in the mix to say the hype is entirely justified. Though it’s funny to see many dubstep fans criticize this album for not really being dubstep. Welcome Reality makes no promise of being faithful to dubstep. It’s beyond dubstep. And thank god. It pushes further and breathes new life into the genre. There’s some progressive house here. There’s some drum and bass. There’s more pop sensibility here, some early 90s nostalgia, but it sounds so fresh and futuristic. The opening track is 2808, and I’d say it sounds like this album came from that year, 2808, humans are in some space cities with decadent parties themed to try to remember what life was like from our generation back on Earth.
Detailed atmospheric soundscapes, powerful energy, engaging beats. This album is brilliant and fun and totally addicting. Rated: Masterpiece! I’m in love with it. My favorite song is probably My Eyes, followed by Innocence. I’m very excited about the promise in Nero, and their albums yet to come. Eagerly looking forward to that journey.
[videos after the break]
Continue Reading >>
Well guys, I got on The Peter Schiff Show. That’s a pretty big deal for me, as I’ve been a massive fan of Peter Schiff for a while. I wasn’t on with Peter, I was on with Neeraj Chadhary, who was guest hosting the radio show. I was talking about connecting with people, and a more effective approach to communicating our ideas, especially when there’s a difference of opinion.
After you listen to my segment, if you’re familiar with Peter Schiff, you’ll realize that he certainly does violate a lot of the principles that I’m discussing, as he’s rather well known for infuriating those who disagree with him. His (lack of) ability to persuade those who disagree with him isn’t what makes him an exceptional communicator, or what makes me such a huge fan. What makes Peter Shciff such an exceptional communicator is that he possesses a legendary ability to articulate complex ideas clearly and powerfully. In that regard he is among the greats, and one of the best speakers I have ever seen. Now I do wish he would stop attacking the character of those who disagree with him, be a bit more considerate to where they’re coming from, I think he’ll be a lot more effective in his outreach. Yet his extraordinary ability to explain these complex ideas simply and convincingly has certainly brought a tremendous amount of understanding to many (me included). I’m so impressed with his ability to articulate, that I’ve learned about as much from studying his technique as I have from studying his ideas (i.e. turn everything into a metaphor).
For a crash course in why Peter Schiff is incredible, check out my earlier article on him here.
This is my first time shooting nudes. It’s funny that Monique pushed me to be edgier than I intended to be. This girl is braver in front of the camera than I was behind it. She knew I’d only capture something tasteful, so I guess she wasn’t worried. So much respect for that.
I’m in love with these photos. I was considering keeping them private, but we’re both proud of them, and both agreed they should be shared.
My idea was to create images from some foggy shadowy surreal dream on the verge of disappearing that you’re struggling not to wake up from. I wanted to capture that in a way that was hot as hell and sensual, yet beautiful, edgy, and human.
I’m not pretending to be a professional. I don’t have professional equipment. This is clearly not a professional environment, which is obvious because my cat’s litter box is in many of the shots. And there was no way I was able to keep my damn stubborn cat from walking through some of these, no matter how many times I moved her away. I used my pocketable Sony NEX cranked to the max ISO sensitivity, which did remarkably well in virtually no light, creating the rawer grainier look I wanted.
Hope you like these ;)
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Ma Fleur is one of my favorite albums. God damn this is gorgeous! I was reading something when I first put it on in the background. I had to stop reading. I actually laid down in my bed and didn’t do anything until the album finished. Suddenly realizing I’m in the presence of greatness, I didn’t want to dilute my first experience.
I was a fan of Cinematic Orchestra’s earlier albums, because I like well executed jazzy electronic chillout, and I noticed their previous album went in more beautiful and sweeping directions, but it was never anything close to this album. Sounds like a completely different band. Surprised me that they had this within them. Ma Fleur is minimal. This music doesn’t sound like it’s created from nothing. The music here sounds like it’s what’s left after all the fluff has been carved away. Stripped down, raw, bare, honest, open, and so beautiful. Very gentle yet so intense, this is a gorgeous and carefully crafted piece of minimal jazz soul. Maybe this isn’t the aggressive masculine music you would expect from a blog about achievement and hustling called Hustle Bear, but yeah, this is a touching masterpiece of strong emotional impact, and I thought this should be shared.