Electronic
Music Pick: The xx – XX
Nov 14th
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Islands Crystalised Shelter VCR Infinity |
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This is one of those albums you’ve got to let grow on you. When I first listened to it I remember thinking that I couldn’t believe I actually listened all the way through that boring piece of shit album. I couldn’t understand what the buzz was about, it didn’t click with me, and I never intended to listen to it again.
This music is sparse. Very minimal electronics over a minimal acoustic sound with a male/female duet that goes for personality over precision. I like simple soft minimal music, I just didn’t like this album.
Some day later I heard the song “Islands” come on the radio again. I was in jammed traffic and frustrated in a hurry. It kind of hit me, whoa, this is really pretty, and it’s so soothing right now. I was kind of pissed that the song ended so soon and some crappy My Chemical Romance song came on and totally ruined the vibe. I gave the album another chance and I couldn’t believe I didn’t first realize how awesome this is. Even almost 2 years later it’s still one of my favorite albums to play in my room while I do whatever various things I do. I literally could listen to this on repeat all day.
The Beatles wrote a lot of very simple and light hearted songs that were surprisingly epic and touching. That’s kind of how I approach XX. Everything is stripped away, the vibe is very easy going and playful, yet the undercurrent is deep and soulful. I love this album. Lower your guard, clear your head, enjoy.
[Video after the break]
Continue Reading >> Music Pick – Groove Armada: Goodbye Country (Hello Nightclub)
Aug 12th
Groove Armada – Goodbye Country (Hello Nightclub)
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Suntoucher Drifted Raisin The Stakes Fogma Healing |
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Sticking with Groove Armada, compare the sound of their later albums I’ve reviewed with their earlier sound here on “Goodbye Country (Hello Nightclub)”. They used to have this more chilled jazzy house electro soul R&B vibe; yeah just check it out. A masterpiece in its own right, this album flows between intimate and increased energy, fantastic for playing during chill get togethers. I like how each song has a long intro to set the vibe and establish itself as it draws you in. As the band’s name suggest, their grooves always kick ass. For more of Groove Armada’s jazzy chilled house vibe check out their even earlier album that put them on the map: “Vertigo
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Music Pick – Groove Armada: Soundboy Rock
May 3rd
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The Things That We Could Share Paris Love Sweet Sound The Girls Say Lightsonic Drop That Thing |
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I love this album, but I was really upset when I first heard it. That’s because I loved Groove Armada’s more intimate jazzy chilled house of their earlier albums, and this clearly was not that. But Soundboy Rock grew on me, to the point that it’s now my favorite Groove Armada album to listen to.
Soundboy Rock sounds like it was created by completely different musicians than their latest Black Light/White Light albums that I previously reviewed. This has an urban soul hip-hop electro beach dance party vibe. Yeah listen to it, you’ll see. Feels like I’m walking down the Venice Beach boardwalk in the 90s, but transported into the future. This is a perfect Summer album.
I immediately hated this album when I first heard the jarring opening song “Get Down”. My mouth dropped. What the fuck is this shit? Sounds like I’m being skinned alive in a Vietnamese prison camp. Fortunately that horror ends there, it’s consistently high quality for the rest of the album.
Highlights:
I always skip that bastardized shit that precedes it and start this cd off with track 3 “The Things That We Could Share”. It’s got a cool urban groove, and sets a cool tone for a great LA pool party.
By far my favorite song here is “Paris”, even though it doesn’t quite fit in. Lush atmospheric electro soul. Holy shit, this is fucking gorgeous! I would love if they came out with a really chilled out album of songs of this type.
I’ve got a secret to tell you, I don’t like rap. Except for a few cases, like here. I just can’t deny that “The Girls Say” is actually a fun, clever, well constructed rap song. Check it out above.
“Love Sweet Sound” is 70s disco soul diva vocals meets electro-house dance party.
“Lightsonic” is reggae vocals meets electro-house dance party.
“Drop That Thing” is not the sort of song I’d normally like, it’s aggressive electro-hip hop about shaking your ass, but the music is really clever and captivating.
“Song For Mutya” is a totally respectable urban pop song with a nod to the early 90s, and probably would have been a massive hit back then.
Groove Armada keeps reinventing themselves while consistently showing us how creative and clever dance music can be. Soundboy Rock is a must have.
[Video after the break]
Music Pick – Groove Armada: White Light
Feb 10th
Groove Armada – White Light – Black Light
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Warsaw (White Light) Time and Space (White Light) History (White Light) 1980 (White Light) |
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Paper Romance (Black Light) Just For Tonight (Black Light) Shameless (Black Light) |
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If you feel like popular dance music has become a race to the bottom, I’d agree with you. Who can make stupider music than the rest? That race is raging full steam at the dance clubs. Ah, the Dance Club, a magical place where they not only are NOT embarrassed to play the dumbest music you’ve ever heard, but they make sure it’s so loud you can’t hear your friend screaming in your ear. Yeah, the dance floor isn’t a place to hold high level discussions; but when that “Like a G6″ song comes on, does no one snap out of it to look around and wonder what they’re doing surrounded by all these monkeys?
Thank god for Groove Armada. They make great dance music, the difference is it’s consistently interesting and brilliant.
Their new White Light album is incredible. It’s a companion to their Black Light album, but very different. The same songs are on both albums, just completely re-created and re-invented. Black Light is the dark version, White Light is the bright version. These albums have this surreal early 80s glam rock disco vibe, which totally caught me off guard; because it’s such a departure from their more accessible urban house past. This sounds like it’s from completely different musicians. In theory I’d usually be more interested in the darker version; however, except for a couple phenomenal songs, I’m just not so into Black Light, but I LOVE White Light. These songs are powerful, clever, unique, epic, and it’s still fun dance music. I already loved Groove Armada, but they have outdone themselves here.
To hear just how incredible they are at totally reinventing their songs into something else, check out this version of History and compare it against the one above.
History (Love Mix)
[Videos from this album after the break]
Music Pick of the Day – Delerium: Karma
Dec 29th
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Silence Enchanted Duende Euphoria (Firefly) Til the End of Time Heaven's Earth |
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This is a classic.
Taking cues from an erotic electronica genre pioneered by Enigma and Deep Forest in the early 90s, with their album “Karma” Delerium forged a darker ethnic tribal sound. This album kicked off the genre of electronic worldbeat. There are a million knock-offs now, but when this came out, there was nothing like it. Despite all the imitation, and years of advancing technology, this still holds up as a serious contender for best electronic worldbeat album ever. Dark, erotic, ethereal, atmospheric, with driving grooves that keep it all still accessible.
“Karma” spawned a sleeper megahit with Sarah McLachlan’s signing featured on “Silence”. I noticed that the track and consequently Delerium got massively recognized a few years and a couple albums later, when “Silence” remixes became club hits. I only picked this cd up in 1997 because I was into dark industrial at the time and this was one of the many side projects of the underground metal industrial band Front Line Assembly, which is the duo of Bill Leeb and Rhys Fulber. This cd was a shock to the fans of their underground industrial side, way too poppy and commercial. Consequently, Delerium fans were in for a major shock if they looked for other work by this duo.
You’ll have to go back to 1997 to remember how exciting this new sound was, but the album hasn’t lost its awesomeness. This is a classic that will persist. You just can’t deny that this is a brilliant and beautiful album.
[Videos after the break]
Music Pick of the Day – Apparat
Oct 15th
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You Don't Know Me Hailin' From The Edge Useless Information Limelight Holdon Arcadia |
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Very creative and clever electronica. Combining IDM with Post Rock with Ambient with Soul with a bit of Hip Hop and Jazz. Just a really imaginative sound that’s still accessible and sexy. Full of atmosphere, but still with a groove, and so much subtle brilliance. There really isn’t a clear genre that this falls under as it’s kind of all over the place, but overall it’s a solid consistent album without any tracks that need to be skipped. I almost smell a masterpiece.
[Video after the break]
Music Pick of the Day – Archive (part 4 of 4)
Sep 11th
Archive – Controlling Crowds I-IV
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Pills The Empty Bottle Dangervisit Quiet Time Chaos Razed to the Ground |
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You could say this is a worthy sequel to Archive’s masterpiece “You All Look The Same To Me”. It is a concept album, only it’s not a 70s progressive rock throwback, it’s modern and proud. And it’s far more ambitious. Consequently, it’s less accessible. Not perfect, it has its misses, but regardless, this is a monumental achievement.
A complex concept double album, it all mixes together and flows with purpose, an attempt of something like Pink Floyd’s “The Wall” for this generation. Sometimes the material is Archive’s most accessible, sometimes their most ‘out there’. Controlling Crowds has many creative highs, and a few lows. Archive is pushing boundaries here, their own boundaries and the boundaries of music.
They did bring back their rapper… BUT, holy shit, it’s actually quite good this time. I’m not kidding! I don’t like rap at all, but the underlying song is creative and the vibe actually fits in well with the rest of the album (check out Quiet Time). On songs like Pills and The Empty Bottle they find a perfect mix of Electronica with Rock sensibility. Despite any flaws, this double album is amazing, and cements Archive as one of the most creative forces in music today.
My favorite Archive albums are still “Londinium” and “You All Look The Same To Me”
[Video after the break]
Music Pick of the Day – Archive (part 2 of 4)
Jul 30th
Archive – You All Look the Same to Me
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Again Sham Meon Finding It So Hard Fool Need |
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Archive completely reinvented themselves with this album, you won’t believe this is from the same musicians as Londinium. Which would be really upsetting, because their Trip Hop sound was so well executed and influential; until… you hear this! Wow Wow. This album is even better. Genius. Beautiful. Mesmerizing.
The album begins with “Again”, one of the coolest songs ever recorded. Yeah it’s over 16 minutes, but it’s worth it. Listen to it in full and don’t skip through, you’ll ruin the deliberate buildup. Let yourself absorb it and follow the journey as it slowly develops. Everything about the song is stellar, except maybe the lyrics. But who cares? This is something special; starting off with organs, acoustic guitar and harmonica, the subtle textures, the progression, the production, even the singing.
This is electronic infused 70′s progressive guitar rock. Female lounge singer is out. Rapper is out [thank you god]. Male rock singer is in. If this album was simply released as Pink Floyd’s latest work in the new millennium it would received unlimited publicity heralding the return of the gods. Archive has mastered a totally different sound and has surpassed themselves here.
(btw, this is their third album, I skipped reviewing Archive’s second album “Take My Head” because… well, they lost their way there and it’s mostly painful and embarrassing, don’t bother with it.)
[Video after the break]
Music Pick of the Day – Archive (part 1 of 4)
Jul 20th
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Old Artist Dark Room Head Space Londinium Nothing Else |
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Many consider this the best Trip Hop album of all time. Surpassing even Portishead and Massive Attack. Well, I’d say it’s certainly a contender. The beats are intelligent and complex. The music is gorgeous and epic, the female vocals enchanting. BUT!!! Many of the songs are ruined when from out of nowhere this 80s style Rapper needlessly comes in and just fucking kills the vibe, jarring a careful creation of art and beauty. The album would be really sexy if there wasn’t any rapping. What were they thinking?! Londinium is the great masterpiece that almost was. And still could be with a minor tweak. ARCHIVE, PLEASE release a version with the rapper completely mixed out. Then you’ll have a real contender for the greatest trip hop album prize. Seriously, this album is really good. As the title suggests, these guys are from London and apparently this first album of theirs from the 90s was competing with all awesomeness coming out of Bristol. Archive has evolved into a completely different sound now 7 albums later, but you can hear seeds of their current sound here. Still, even though they’re not trip hop anymore, it seems like any one song here could fit somewhere on their latest albums.
Music Pick of the Day – Does It Offend You, Yeah?
May 18th
Does It Offend You, Yeah? – You Have No Idea What You’re Getting Yourself Into
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With A Heavy Heart (I Regret to Inform You) We Are Rockstars Dawn of the Dead Doomed Now Epic Last Song |
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These guys are definitely one of the best electro house indie 80s new wave synth-pop punk metal hardcore raver break-beat bands out there. Yeah, this album is ALL OVER the place. Nothing is consistent here except insanity and genius. I am SO impressed. I think the album title just about sums it up. It’s not that these different styles haven’t been done before, but their attitude and take on everything is fresh, so unique and so much fun. “Does it Offend You, Yeah?” is definitely not for everyone, and even my first jarring impression left me wondering what the fuck is wrong with these maniacs. I forced myself to try and figure out just how anyone could actually enjoy this (an exercise I often do with adored bands I’m not feeling) until it quickly grew on me to the point where I felt bored with everything else. The only song here I still just can’t get into is “Attack of the 60ft Lesbian Octopus”; it’s too ‘eating paint and bouncing off the walls’ for me. Some of the songs here do sound like they’d fit right into place on The Killers’ “Hot Fuss” album, but those pieces are excellent and much better than what the Killers are putting out lately anyway.
This album slams with a sledgehammer, and yet it maintains a high level of subtlety and sophistication, while it incites rebellious disobedience, out of control slam dancing, and a deep philosophical reexamination of the purpose of music.
I can’t wait for their next album due out hopefully sometime this year.
(Free tip for guys: If your romantic overtures aren’t working and some girl is giving you a lot of shit; change up the mood, put this cd on loud starting with track 2 ["With a Heavy Heart"] and she’ll know not to fuck around anymore) ;)
[Video after the break]
Music Pick of the Day – Thunderball
May 4th
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Heart of the Hustler Domino Vai Vai Solar |
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This is one of my favorite CDs. Adding Drum & Bass to funky 70s blaxplotation movie music and some latin soul. I’m adopting the first track as the Hustle Bear theme song. Listen for the chorus “Watch out! For the Hustle Bear!”. What a fucking cool album. Both chill and energetic. The beats are clever and complex and FUN. Great for the gym. Great for when you have some friends over. Great for when you’re in the mood to get down and get some of that… anyway it’s a cool vibe, check it out!
Music Pick of the Day – Pole Folder
Apr 9th
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Waterfalls of Love Inner Turmoil London Morning Crow Faith in Me |
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Ooh, I’m in love with this album. An instant classic. Elegant, sophisticated, dark, sultry, atmospheric, progressive house. The whole album blends together to take you on a journey and is consistently high quality. One of the most creative works to come out of this genre.
